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・ The Smiler (roller coaster)
・ The Smiley Morning Show
・ The Smilin' Kid
・ The Sleeping Tiger
・ The Sleeping Tracks
・ The Sleeping Voice
・ The Sleeping Years
・ The Sleepover Club
・ The Sleepover Club (TV series)
・ The Sleepwalker (1922 film)
・ The Sleepwalker (1942 film)
・ The Sleepwalker (2014 film)
・ The Sleepwalker (novel)
・ The Sleepwalker Killing
・ The Sleepwalkers
The Sleepwalkers (Broch novel)
・ The Sleepy Jackson
・ The Sleepy Time Gal
・ The Sleepy Twinkle Star
・ The Sleestak God
・ The Sleeze Brothers
・ The Slender Nudes
・ The Slender Thread
・ The Sleuth (film)
・ The Sleuth Kit
・ The Slew
・ The Sliced-Crosswise Only-On-Tuesday World
・ The Slicer
・ The Slicing of the Demon
・ The Slick Chick


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The Sleepwalkers (Broch novel) : ウィキペディア英語版
The Sleepwalkers (Broch novel)

''The Sleepwalkers'' (original title ''Die Schlafwandler,'' 1931–32) is a novel (or a novel trilogy) by the Austrian novelist and essayist Hermann Broch. It is considered , along with Robert Musil's ''The Man Without Qualities'' and Thomas Mann's ''The Magic Mountain'', to be a masterpiece of modern German prose of the first half of the 20th century.
==Plot==
The novel contains three parts, in fact three novels in one, which differ from each other in style, time and place of action, characters and atmosphere.
The first part of the trilogy takes place in Berlin and a Prussian province in 1888 and is a parody of 19th century literary realism. The main character, Prussian aristocrat and military officer Joachim von Pasenow, balances between romantic devotion to a Czech prostitute Ruzena (Rose) Hruska and a neighbor, Elisabeth von Baddensen, who is his social equal. In his secret liaison with Ruzena he finds emotional and sexual fulfilment while courting a delicate and distant young lady. In the ocean of doubts and hesitation, he finds refuge in rationality, order and prejudice (represented by the theme of a military uniform) which lead him into a loveless marriage with Elisabeth.
Almost all the decisions and actions of Joachim, Ruzena and Elisabeth are inspired and controlled by his diabolical friend, the rich merchant Eduard von Bertrand whom, for his evident lack of comprehension for old values, Joachim never trusts fully.
The second part, a pastiche of an expressionistic prose, is situated in Cologne and Mannheim in 1903. Instead of the upper crust, the reader finds a working-class and low bourgeoisie setting. Having left his promising career as an accountant and his old friends, including social democrat Geyring and inn-keeper Gertrud Hentjen, the book-keeper August Esch starts a new life as a circus manager and starts up a women's fights production. As the circus production does not satisfy him he aspires to leave Germany for the USA and take Hentjen with him.
Like Joachim in the first part, Esch feels insecure in the world of decaying old values (here the values of business and middle-class life) and tries to find a guilty party, first in his former superior, then in unfeeling industrialist Bertrand (Eduard von Bertrand from the first part), who not only exploits his employees but is a homosexual. In fury, Esch decides to murder Bertrand but does not achieve his goal. His dream of America is destroyed when his associate runs away with all his money. Finally Esch marries Hentjen and moves to Luxemburg, where he gets an even more prestigious job as a bookkeeper.
The last part focuses on several characters (including Joachim von Pasenow, Esch and his wife Gertrud) in a little town on the Mosel River during the last year of World War I. The well-ordered way of their lives is disrupted as deserter Huguenau arrives in town and pretends to be a businessman and publisher. While Esch fulfills himself through a sect, Huguenau cheats him out of his newspaper and attempts to insinuate himself into the favour of Major von Pasenow, the military commandant of the town.
The third novel contains parallel stories of Hanna Wendling, a young woman alienated from her family; of shell-shocked and mutilated soldiers and field hospital nurses; and that of a Salvation Army girl in Berlin. The plot of each chapter determines the genre used (occasional verse for the story of a Salvation Army girl, journalistic style of the hospital chapters, etc.).
The outstanding element of the third novel is the essay titled ''The Disintegration of Values''. While prosaic or balladic chapters refer to fictional characters and their attitudes to the community and ideas of their social role, the essay deals with the transformation of values in society theoretically.
The finale takes place during the last days of the war; in the total chaos Huguenau murders Esch and violates his wife, then legally leaves the town and soon becomes a respectable businessman in Lorraine.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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